Extroversion of an Inner Feeling

It is not easy for me to render a synoptic
explanation of my work. However, trying to express myself in a light manner, I will say
that I have tried to "think the landscape feeling" without any illusory
compromises or an intellectual position. This is my means to reach emotion. Works that
allow air and painting to borrow each other illusions, works that are an image and a
poetic proposal sharing the feeling as a symbol.I insist in the same concept over and over so I can experiment every
variation imposed by the emotion. It somehow is the intimate reflection of and external,
but individualized, world.
My strokes are thought and felt as a
sensual and mystic allegory. Think of a circle that may, at the same time, be the circle
and its own icon. In other words, it limits its own morphology. Those signs are made of
data, enlivened and focused in any spot on the framed space. Symbols loaded with hidden
emotions and excited with a certain parsimony.
I study different levels that are
geometrically delimited by a free geometry and superimpose them as transparencies. I
reaffirm the noble coexistence of opposites, the encounter of commotion and calm, the
conclusive blend of solid, liquid and gaseous elements. Multiplicity as a statement.
Numbers and visual configurations
-diversified, superimposed, repeated- can be guessed in these works. They arouse a
conceptual and poetic world that establishes more emotional and direct records.
These are symbolic, geometrical and
emotional works.
I explore and use new vocabularies
whose transcendence would be implicit in its owns records and singular codes, in their
organization, in their writing and in the way they have been consigned in the visual plane
.
trees, repeated birds, texts,
used as graphic resources that may or may not be related to the global text. One color
prevails as a symbol, a color that conventionally could be called yellow because it can be
gold, orange, ocher, one in the array of shades of this hybrid family.
But above all, over reality, lies a
concern that defies the classic composition balance.
A language of colors, shapes and
concepts. The use and rupture of planes and elements with a ludic content. My work does
not pretend to stand for an art critic and waives this power. I am essentially committed
to art as my only and unrenounceable way of living and being in the world.
Freddy
Villarroel
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©
1998-2003 Freddy Villarroel
Artist's studio: (58)(212) 951.3219
Creado por M. Windevoxhel para Arte en la Red |